Art grants 2019

Earlier this year, we launched a collection with the INA (the National Audiovisual Institute of France), entitled 33 Tours avec l’INA. This collection includes three projects from singers Ray Charles, Serge Gainsbourg, and Dalida. All three projects saw a successful pre-order run, and we’ve just launched the production of 500 copies for each project!

Here’s one of my favorite on the list! One of Michael Jackson’s most uplifting melodies ever, his lyrical ramp up to the title refrain in “Man in the Mirror,” actually gets a jump start with a downward interval of an enormous major sixth gap! At 1:06, when he sings, “I’m” and “start,” you can hear how energetically it leads into the ascending melody. Top-line composers, take note!

There’s nothing surprising about it at all; people like lamento bass, and African diaspora musicians are smart enough to deliver it straight up over decent beats. He continues, “This bass line is a fate from which we cannot escape.”

Old school hip hop albums

Mickey’s got a serious talent for writing relatable, bittersweet lyrics. You can rock out to his growing pain, while his bright guitar soothes. His live shows are pretty rare these days, so make an effort to catch him!

To see many of these techniques in action, plus more, I’ve created a short vignette in Ableton Live using stock instruments and plugins. If you don’t have access to Ableton, I can recommend Helm, Synth1, and the free products from Togu Audio Line as good starting points for your synth adventures. Happy LFOing!

In addition to tax returns and detailed income statements, lenders often ask for a profit and loss statement. This may throw you for a loop considering it’s something normally asked of a business not an individual, but in the bank’s eyes you are a business since you are a 1099 contractor!

With overwhelmingly positive results, we’re happy to share a few testimonials of Soundfly’s Orchestration For Strings course directly from our students.

There are many different approaches to creating a memorable music video concept. The sky is truly the limit when it comes to thinking up of creative ways to carry forward your band’s musical message, visually (and you don’t need a big budget, either).

Top 30 rappers 2019

More and more Americans are self-employed, music industry aside. Having a 1099 income is becoming increasingly common, and banks are coming across this issue more often. As a result, the whole system may open up more as lenders become more comfortable with loaning to independent contractors and the self-employed.

Tredici Bacci’s latest record, La Fine Del Futuro, released this spring, makes me feel like I’m playing a minor character in a movie about falling in love on mushrooms in a European technicolor nightmare circus. And oh yes, it’s definitely set in the 1970s. Simon Hanes is this 13-piece soundtrack-pop ensemble’s fearless leader, as well as its composer and arranger. Flypaper’s Dre DiMura asked the California-raised Brooklyn-based musical polymath to speak about his sense of humor, which is integral to the music, and Hanes said something which I think encompasses a huge part of the ethos of this interview series:

From an artist’s perspective, countless hours go into creating music, perfecting a set, and bringing it to the stage — and that should speak for itself, right? It might be nice to fantasize about a world where musicians just show up to play and crowds miraculously appear, but that obviously isn’t how things work. Venues need bands to do much more than just show up and play great music, and all that starts with getting your foot in the door in the first place!

Beginning with lessons at Gisimba Memorial Centre, Turi Kumwe has fully constructed a music studio in the former orphanage and is currently incubating a growing community record label. Each summer, up to 300 children participate in a fully subsidized arts camp led by local Rwandan and international artist educators, and the studio is open year-round for community use.

“…underneath the faded canopy of the bland mainstream lies a multiverse of challenging, engaging, explorative, enlivening work which I would say is the real ‘music of now,’ and which I love deeply.”