I’m not so interested in figuring out whether the track is “good” or “bad.” Instead, I want to find out, given the student’s goal, how they could move closer to it.
Evan Zwisler is a NYC-based musician who is most notably known for his work with The Values as a songwriter and guitarist. He is an active member of the Brooklyn music scene, throwing fundraisers and organizing compilations for Planned Parenthood and the Anti-Violence Project. He started playing music in the underground punk scene of Shanghai with various local bands when he was in high school before going to California for college and finally moving to New York in 2012.
“I’ve come to love these awful quality files. In most cases, listening to their lossless versions just doesn’t sound right to me. My 128 kbps version of Mario’s ‘Let Me Love You’ still has the intro skit from the music video attached, hearing the song without it is jarring. With each layer of compression you can practically hear the thousands of others who shared and copied the same MP3, like a destructive digital fingerprint…. I’ve got dozens of tracks like these on my computer still. A 58 kbps copy of Kyuss’ ‘Supa Scoopa and Mighty Scoop’ that sounds like it’s being played through a payphone. A bootlegged CD of Hendrix demos transcoded up from somewhere to 128 kbps.”
Art and photography grants
If you can’t use VHS, it’s likely your DAW has some kind of tape emulation or saturation plugin on hand. If not, FerricTDS is a good free option for PC users, as is Diabolique. Mac and PC users can both check out Klanghelm’s IVGI.
Roland developed the RE-201 in the early 1970s, and while this wasn’t the first tape echo, they made something much more durable and sonically satisfying than anything that had come before it. Starting in the 1950s, musicians started to use small devices that included a recorder and a single tape loop capable of simultaneously recording and playing sound. This would create a delay effect.
I’m not certain, but this might be the only time mosh-pit dancing and stage diving has occurred on SNL, and inevitably they ended up causing $20,000 in damages to the show’s set. In the middle of the song, a Fear fan grabbed the mic and yelled, “F**k New York!” causing their set to be cut short. While the footage has since been shared, it was initially banned by the NBC network from ever being shown again.
“I Like It”: The intro here begins with a two-bar fade-in of non-loop material — yet even with these two bars, they still decide to keep the whole intro to a tidy eight bars. There’s a nice little post-verse thingy after the second verse. You can spot it by its chromatic walk-down piano motif, four quarter notes a step. This motif comes back for another post-verse that’s simply the title refrain a bunch, and then a half-chorus. Pretty inventive since half-choruses are rare, but here it’s easy to do as the chorus was already written in two parts!
A great soundproofing technique my bandmate leverages is to use two separate rooms for recording. One room contains the microphones and the source of the music, and the other room contains the recording gear (and thus any noise the computer or tape machines may themselves create).
National endowment for the arts purpose
This pioneering record is a sizzling cauldron of soul, funk, blues, and something electric and ineffable. It’s perfect in almost every way, but it almost didn’t come to be…
We’ll keep it in the family again with the second release in Ashikawa’s “Wave Notation” series, his own album, Still Way. This record actually features Midori Takada on harp and vibraphone. Ashikawa only released three records in this series before he died; the third was a full LP of pensive Erik Satie pieces played on solo piano by Satsuki Shibano.
Without the internet around to provide an unbroken timeline of artistic events to a potentially endless landscape of wandering eyes, records that couldn’t achieve access to a viable fanbase in the 1980s have mostly, inevitably found themselves buried in the sands of time forever. Many creative masterworks, no matter how well-appreciated at the time of their initial pressing — if mismanaged by independent, boutique labels that couldn’t stay afloat financially — have either approached or gone completely off the cliff edge of existence. But thanks to the interplay between user-submitted content on the web and the way platforms help listeners discover it, some records do actually manage to climb back out of the sand.
In his new book Peak: Secrets from the New Science of Expertise, which is excerpted here, Dr. Ericsson and his co-author Robert Pool argue that the best practice habits, what they call “purposeful practice,” involve specific goals, focus, feedback, and leaving your comfort zone; all of which are incorporated into Soundfly’s unique online learning model.
Surprisingly, even medicines can affect your hydration levels. Cold and allergy medication, including decongestants and antihistamines, can have a drying effect on the body. When your mucus membranes dry out, your ability to sound good when you sing is hindered and your vocal folds are also more likely to be further irritated.