National endowment for the arts budget 2019

With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.

Born in Tokyo, Japan in 1947, Ischi was a self-described “loner” who had a difficult time fitting in. He heard yodeling on the radio as a child and became obsessed with the sound of it. It clearly made a massive impact on him, because his life was set on a completely different course after that.

“I have a fictitious person I write for. And she’s called Doris, and she’s from Bradford and she wears a raincoat and she has two horrible little kids that are giving her nothing but grief. And you know, the man left her a while back. And she just, in the rain, everyday, trudges to work and she works hard.”

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Songtrust can help. Register for Songtrust, and use promo code STSoundfly for 10% off! If your music is already on Spotify, go ahead and estimate your earnings here. 

Whether you are a seasoned songwriter or you have just recently begun to write your own music, an important part of songwriting involves being self aware. Knowing what makes you tick will spur your creativity in new and unexpected ways. What kind of music do you enjoy listening to? How does your taste in music reflect the style of songs that you want to craft? How do certain grooves and tonalities make you feel? Which events and stories from your own life or the lives of others around you inspire you? These are all questions for self reflection while trying to write music.

Berg was obsessed with numerology and symbolism. Lulu is accordingly littered with geometric expressions of human themes as above. The most notorious example of this obsession comes into play during the piece’s famous musical palindrome, hinging at bar 687 of the score.

Try as you might, you can’t be a machine that only thinks and cares about music. Sometimes sitting a tour out or taking a few months off of making music is the best thing you can do for your career.

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Sometimes the bass sounds great merely doubling what is being played on the guitar — and especially when that guitar is being played by Jimmy Page. John Paul Jones actually had tons of bass-hooky songs, but here in “Over the Hills and Far Away,” the bass is a bit subdued throughout most of it — which makes this particular section stand out even more. That section is when Page climbs out of his solo with a three-octave arpeggiated run, and Jones follows alongside with a standard pattern of root-third-fifth-minor seventh across each octave, a mixolydian theme that would sound good in basically any context.

You don’t need a great microphone to sound good. While microphones vary from tens of dollars to tens of thousands of dollars, all of them are completely useless if your recording environment is unsuitable. Go soft or go home (or both!). Soft furnishings are key when it comes to recording voices. Your recording environment is the most important part of any audio content. I spend a lot of time treating badly recorded audio; the better you record at source, the better the audio will sound and the easier it will be to edit.

For many of us in the English-speaking world, the Middle East remains a mysterious and misunderstood place. For those of us who love music, exploring artists from a different region can be a way to deepen our understanding and make the world seem a bit bigger and more expansive when it starts to feel small and repetitive.

In the long run, the subtle ways you develop your brand, your image, and your story have a huge effect on the success you can achieve in your career. The way you tell your story as an artist will allow you to relate to fans on a deeper level. And on top of that, it serves as a differentiator. Undoubtedly there are a lot of musicians and bands out there who create music similar to yours, but a story or narrative allows you to go beyond the music and stand out.

That’s right — the entire minor pentatonic scale is contained within the Dorian mode. Therefore, we are free to play with the addition of the 2nd and 6th scale degrees. Not only can we layer the Dorian mode over the minor pentatonic scale, but the 2nd and 6th degrees present in the Dorian mode also belong to the major pentatonic scale, which players like the Three Kings (Albert, Freddie, and B.B.), Eric Clapton, and Jimmy Page commonly weaved into their solos.